The actress accepted the
award. Newspaper editors glared at the screen. Not only had she won the award
yet again, but it meant that the front page would be wasted on an actress in
her late sixties, rather than the cleavagy young thing that had also been nominated.
She was gracious, noting
that she felt that she was very lucky. After the award ceremony, she made only
perfunctory appearances at the after-parties. They were important for
networking, but were for the publicity-conscious, which she no longer needed to
be. Ten, twenty, thirty years ago, maybe. But no more.
Instead, she went home.
She received multiple phone
calls, and had many messages, but the only one she cared about was the one that
told her that she had to be killed.
She cried at first, but she
knew what it meant.
She had a stiff drink and
then made a phone call. It was the early hours of the morning, but it didn't
matter. She knew they'd answer.
They did, and they knew it
was her calling.
"Does it really need to
be so soon?"
The woman on the other side
of the phone was pleasant and professional. "I'm afraid so. The time has
come."
“You’re sure?”
“There’s no need to be
scared,” she was told. “It won’t take long. Come in on Thursday. That way, we’ll
announce it on Saturday morning and get maximum exposure in the weekend papers.”
She said good bye and put
the phone down. “I know it won’t take long”, she said to herself, wishing that
she’d said that to the woman on the phone.
She looked in the mirror
while she removed her makeup. Not just the first layer, the eye liner and the
makeup, but the rest. The latex, the putty, everything. It took hours to put on
every morning, but always came off so quickly.
Taking off the tinted
contact lenses last, she looked at her own eyes. Removed of the dullness of the
contacts, they shone brighter than they had on screen for years.
On Thursday, she sat waiting in the clinic. The nurse came out to her. A young (yes, young, of course he was young, she thought to herself) man. They introduced each other, then he said, almost predictably:
“I’m a big fan.”
She smiled. “Thank you. That
means a lot.”
“Look, before this happens,
could I get you to sign something for me?” He was, bless him, awkward.
“Of course.”
He pulled a DVD out of his
jacket pocket. “It’s not for eBay or anything. It’s a transfer of one of your
first movies.”
She looked at it. “I didn’t
even know any copies existed.”
“They’re not allowed to.” He
said. “You’re too recognisable in it.”
“I’m too recognisable in all
of them,” she said. “Do you have any idea how much trouble I got in when they
found out that I’d lied about not being in films before?”
“I know. As I said, fan. I
had no idea you were one of us until you came back in the seventies.”
“So how did you get a copy
of it?”
“I was a projectionist in
the twenties. I kept the original. You were amazing in it.”
She couldn’t help it. She
started to cry.
“I’ve never…” she said,
gulping for air, “I’ve never done this before.”
“Really?” He asked. “I
thought you had back in – “
“No,” she said. “The theatre…
God, that was easy. It wasn’t until
photography turned up that the problems started. Stupid bloody invention.”
He hesitated, and then asked
“Is it true that you always wore sunglasses for photos?”
She laughed, although the
tears continued. “Yes. Worked great for about a decade.”
“It’s just going to be
simple surgery. You’ll be unconscious, and we’ll break and reset some bones. It’ll
hurt for a while, but it’s so much more effective than plastic surgery.”
“I know. I just… I wish
there was another way.”
“You’re in the wrong
business for that,” he said. “If you want to continue, you need to change your
looks. The arts aren’t like other industries. You’re too public.”
“And it’s not like I can be
anonymous.”
“Not with what you do.
Writer, street artist… you can do those and be anonymous. You know that big guy
in Britain, does the graffiti? Nobody sees that and thinks of the stuff he did
during the renaissance. You can get away with that with art. Not the screen
though.”
“I know. It’s just…I’ve
really liked being her.” She dabbed her eyes, which had finally stopped crying.
“You’ll still be you.” He
said.
“No, I won’t.” She said.
“Why not?”
“It won’t be my face any
more. It’ll be a stranger in the mirror.”
“Then you’ll get to be
someone else. Someone new.”
“They want me to have a boob
job, you know that?”
“Why?”
“Because I’ll get to be the
young actress now, and they don’t want my body recognised. It won’t even be my
body any more. I refused to do it while I was… me. Now, though, they’re
insisting, or I won’t be allowed to go back to it.”
“There’s a plus point
though. Next time you do this, you get them taken out again. You get to do
that.”
She laughed. “How fucking
efficient.”
“Come on,” he said. “Let’s
get it over with.”
“Wait,” she said, looking in
the mirror as she stood up. “Just let me say goodbye.”
Months later, she stood in
front of the mirror in her new bedroom. She undressed and looked at her body
first. She still didn’t like the new breasts. But she did like the tattoo. She’d
never dared have one before.
Then she stood closer to the
mirror, and looked closely at her face. She ran her fingers across her face,
feeling her way around while she looked.
She didn’t know the face.
Not yet. She was still working on it, but she could finally hold her own gaze
without crying.
“Hello,” she said. “Hello,
you. Hello, me.”
I like this a lot. You asked for feedback so here it is: It could do with a bit more work, a bit more polish. The opening in particular feels a bit perfunctory; I think if you draw out the lead-up to her arrival at the clinic, build the sense of mystery and nervous anticipation, the payoff will be that much better. And I would love to know a bit more about how other ... professions, shall we say? ... negotiate her particular dilemma (are there any politicians, for example?). I guess I'm suggesting an expansion and further exploration of the story, because the premise is so intriguing that I want to know more, and I don't want it to end so soon. It's very cool.
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