I write stuff. Thrillers, Science Fiction, Horror, that kind of thing. You can buy some of them (look down and right for links). I put free short stories on here sometimes, along with blogposts and a serial novel. I'm on twitter at @chrisbrosnahan
Tuesday, 27 October 2015
Dentophobia - Fear of Dentists - #OctoboPhobia short story
Sunday, 18 October 2015
Decidophobia (fear of making decisions) - #Octobophobia short story
OPENING (#Octobophobia Decidophobia ending)
Waiting (#Octobophobia Decidophobia ending)
Thursday, 15 October 2015
When things you love stop being yours...
She's throwing a hug to the audience. And because they love her, theyre throwing it right back. |
Now that's a heel. |
The most horrible thing to ever happen in wrestling. |
Twitter and Tumblr may have got a bit emotional. |
Monday, 12 October 2015
Cynophobia - Fear of Dogs - #Octobophobia Short Story
Saturday, 10 October 2015
Coulrophobia (fear of clowns) - #OctoboPhobia short story
Thursday, 8 October 2015
Claustrophobia - #OctoboPobia short story
Most people don’t want to see anyone there while they’re visiting. It’s a private time and they want to be left alone. So he’s used to staying out of the way, and used to people not paying attention to him.
He likes it. It suits him.
He’s old and quiet and his slight build belies a surprising strength. He isn’t the only one that digs graves, preparing them for funerals, but he does it more than anyone else. It’s hard work, but he does it regularly. At other times, he can be found in the shed, drinking tea from a thermos and eating sandwiches. There’s a kettle there now, and a microwave, but old habits die hard, and he likes the way the thermos feels.
As caretaker, he’s a council employee, although nobody on the council really knows him. Nobody really measures the work he does. If they don’t have to go there, people don’t really like graveyards.
Well, most people don’t.
Teenagers, on the other hand. Some of them love graveyards. Some of them see them as somewhere to drink cheap alcohol, smoke poorly made joints and some of them have awkward, fumbling sex.
There’s a couple right now, on the other side of the graveyard. Can’t be much more than eighteen.
They’ve been furtively coming in here once every few weeks, and from a safe distance, Calloway has watched her take off her knickers, lie down on the stone slab and spread her legs as her boyfriend frantically pushes into her.
They always take their time when they’re not screwing. Drinking between their thrillseeking passions, then starting again. Calloway remembers when he was young and virile enough to do it multiple times like that, but he has other passions these days. Over the months, he’s got to know their patterns. And they’ve never even realised he was there.
He walks to the caretaker’s shed, opens the door and takes the shovel in his hand.
He tries to move, but he can barely lift his arms. He’s pinned by wood above him and to his sides. He scrabbles against the darkness, feeling sharp, broken pieces of bone underneath him.
He can’t get any leverage at all. He tries shifting his weight, seeing if he can bring his hands up to his chest by twisting, to give himself more space. He can now see the skull by the side of his own head, and he tries not to panic (although he’s aware that the air is getting thinner and thinner). He manages to bring a hand up, and tries to push the lid properly, but it won’t budge. He scratches frantically, until his fingertips start to bleed. He realises this approach isn’t doing anything.
He manages, slowly and painfully, to turn onto his side, and then his front. He doesn’t have the
strength to push with his hands, but if he arches his back…. Pushes with it…. He might just be able to shift the coffin lid.
He doesn’t think about the skeleton that he’s now facing. He doesn’t think of the fact that he can’t hear anything other than soil falling, muffled, onto the top of the coffin.
He pushes and pushes. And when that doesn’t work, he screams as much as the air will let him.
He no longer has the strength to turn. And besides, there was hardly space.
Instead, he lies down in the remains of the first owner of this coffin and can’t find the strength to move any more.
Before long, he can’t find the strength to breathe, either.
He doesn’t rush. There’s no need. There’s nobody around.
He knows what he’s doing. He’s done this dozens of times.
When the screaming stops, he keeps piling the earth in. Keeps filling the grave, adding weight to the lid of the coffin.
Nobody ever notices that the graves have been turned, as long as he relays the grass fairly carefully.
People expect a certain level of upkeep.
And when people come here secretly, in singles or in pairs, they tend not to tell others where they’re going. They might be missed, but nobody knew they were here in the first place. And Calloway knows how to spot the ones that will be less missed.
Because he doesn’t just keep out of the way.
He watches. And waits, and plans, and then fills the coffins with extra passengers.
Once he’s done, he looks down at the next grave. The funeral taking place in the morning will provide more cover than anything else could do. She lies there, her skull caved in, blood and brains spilled over the soil feet further down than the grave needs to be. Once he’s dumped enough soil over her, the coffin will be able to be lowered slowly down on top, and nobody will ever know.
During the funeral, he will stay out of the way, watching without the smirk that he feels inside.
Looking at the grave and knowing that there’s one victim underneath, and then just a few feet away, one that died screaming in a box only barely bigger than he was.
He’ll know all of that is there, but nobody else will have the slightest clue. And he’ll sit in the shed, and he’ll smile to himself thinking of those lying there, and the ones he left in there alive.
Once he finishes filling in the graves, he continues to clean up around. Then he locks up the cemetery and goes home. The next day, he’ll come back and he’ll wait for an opportunity to do it again.
He’ll pick someone and he’ll wait until the right time. And it will come and it will happen.
Nobody pays much attention to Calloway, after all.
Tuesday, 6 October 2015
Chronophobia (fear of colors) - #Octobophobia short story
Sunday, 4 October 2015
Chaetophobia - #OctoboPhobia short story
Arachnophobia - OctoboPhobia short story
Friday, 2 October 2015
Agoraphobia - OctoboPhobia Short Story
She walks with a stutter. A hesitation that she can't get past. Every few steps, it's like watching a needle skip on a record.
The mall is enormous and crowded. Escalators opposite the entrances are next to six feet tall maps with "you are here" pointers proving difficult to find quickly. It clearly overwhelms her. She stands in front of the map, trying to work it out but it confuses her. She looks at it like someone trying to work out a magic eye painting.
Frustrated and upset, she has to move when someone behind her says something. She steps to the side and immediately apologises, her voice a half pitch higher than usual.
No further conversation takes place, and she watches whoever it was walk away. She's burning with embarrassment. She got in the way. Again.
She has always hated being out like this. Ever since she was a little girl, hating school not because of the subjects or the teachers but because of the lunchtimes and the schoolyard. The hundreds of loud moving elements around her shouting and screaming and playing and, once they realised she was vulnerable to this, taunting and teasing.
Ever since she was at university, having to get food with everyone else and stand outside classes with everyone else, having to go through a thousand conversations she didn't know how to have. The everyday brutality of small talk.
With people she knows, she is comfortable. More than comfortable. She is funny and confident and relaxed. She has no problem surrounding herself with friends. But she doesn't know how to make them.
She looks for safety. Always. Bedrooms, houses, cars, classrooms... in these things, she has a roof and walls that keep the rest of the world out.
A place like this? All space and people, surrounded above and below by people, moving hassled and determined people, all of whom seem to know how to do this when she doesn't? A place where she feels she stands out like a white hair where there wasn't one before? If it isn't her worst nightmare, it's certainly on the list.
But she is still young, despite how she feels sometimes when she wakes up in the night, and she is in love.
And for love, she has come to this terrible mass of corporations, and will brave the crowds and the spaces, all to buy a gift that will make her smile, and the next time they're lying next to each other on the sofa, their long hair tangled together, she'll be able to reach to her wrist, stroke it and smile and it'll be a perfect thing they share.
For this, she is here, trying to look at the map without getting in anyone's way, frantically hoping nobody notices her.
She traces the route along the map with her finger for a moment, repeating the directions to herself and then sets in search of the shop.
The escalator gives her something to hold onto for a few scant moments, and just the feeling of stability that provides gives her some brief salvation and calm.
When she gets to the top, she begins to panic, losing herself for a moment. The scale and size of the place threatens to overwhelm her, and she looks like she's stepped into a plummeting fall, until she sees a shop she recognises from the map, and the panic fades.
She walks uncertainly, the love in her heart proving stronger than the fear in her throat.
She tries not to look into the shops as she passes. It feels like looking in on someone's living room window on a street at night, something else she tries and often fails not to do. It feels intrusive, spying on a life she can never have.
A full quarter of the mall later, it happens.
It's the toy shops, of all places. The toy shops. A run of them, with a play area outside, keeping their wares in the site of the children playing while their parents rest, letting them see other parents and children walking out with toys that they immediately want and harass and cry and end either getting or being dragged away, kicking and screaming in jealous fury.
Something happens. A stumble. A trip. A fall. And then... children laughing? Pointing? Parents rolling eyes or, even worse, offering to help.
Suddenly the centre of attention with nowhere to escape to, her breath starts to shorten. Her eyes grow wide as she stumbles to her feet, and then she blushes and reddens and cannot hold back the tears.
It has all gone wrong. Children laughing and pointing, even innocently. Reminding her, almost certainly of being the object of scorn and pity in the school playground.
The regret at her attempt to come out and find a shop is written across her face, but there is no anger and there is no blame. There is only horror and burning shame.
She flees, her foot twisted painfully and her breath catching, somewhere else. Anywhere else. But the tears in her eyes blind her and she almost trips again, staggering into a stranger.
Now, she can barely breathe at all, except for occasional ragged wheezing loud gasps, that must only attract more attention that she cannot deal with right now.
She starts to run, tears streaming down her face, in absolute terror of people. She is partly doubled over, seemingly in agony.
With so many people around, she tries to find a safe area while trying not to look at anyone, so she can try to convince herself they are not looking at her, but the pain is making her clutch her chest again.
Trying to breathe, she sees a toilet and bolts towards it awkwardly.
Once in, she storms into a cubicle and sits, one hand against the door and the other clutching herself as she tries to regulate her breathing and get through to the other side of what she must surely begin to realise is far more than a panic attack.
I whisper to her that I love her and I try to hold her as she dies, the heart attack deadly and painful.
She doesn't hear me. She doesn't feel me in the cubicle.
But she never has. Not in these last three years that I've come here every day and watched her relive the last steps of her life.
I'll be here tomorrow and every day, trying to hold her and telling her that I love her and the watch that I found on the last page on her browser history would have been so perfect.
Maybe one day, it will help. Maybe one day I can help her be at peace.
Until then, I come here each day, reliving it as she relives it.