Magic Falls Part 30

Jack Whittaker stands quietly in front of the theatre crowd for a few moments, allowing them to quieten, and then begins to talk quietly.

“The question we all have, or at least that we should have now, is why is this happening here? Why is it happening in Britain?

“We’re a relatively small country, with a middling population. We’re cramped and we’re heavily populated for our size, but we don’t have anything on some other places. So why here?

“We’re a country with history, and nowhere more so than London. All these streets, when you walk them, have had hundreds and hundreds of years of history. There aren’t many cities like this. You walk down here and there has been so much death. So much history.”

He’s becoming more animated now, his hand waving about as he talks, before he runs it through his hair. 

“Do you ever wonder how many dead bodies this city is built on? You should. You should think about that. We reside on a bed of foundations made of death. When the black death happened and almost the entire city died, we stacked the bodies into the earth and we limestoned over them and we kept building and we kept living because this is London and that’s what happens.

“History seeps into the buildings. History seeps into the people. It’s impossible to walk around London and not be aware of the history. We walk through London’s streets like blood cells travelling down veins, keeping it alive.

“We’ve created monsters and legends. Here. “

He suddenly seems a little less sure of his ground, but as he continues talking, I realise it’s that he’s almost hesitant to move onto the next piece of subject matter. “Jack the Ripper butchered five women. Maybe more. Maybe less. He was never caught, and he became the most notorious serial killer the world has ever heard of.

“People who know their horror films and their grotesque histories may point to Ed Gein. May point to Elizabeth Bathory. May point to Charles Manson or John Wayne Gacy or Fred and Rose West or Ted Bundy or…” He sighs.

“It doesn’t matter. When it comes to the death and the slaughter of women, nobody has ever turned it into a mythology in quite the way that Jack the Ripper did.

“Because he was the first creation of the media, which has never found something that it could masturbate over quite like the death of young women. Journalists took a murderer who was unable to be caught and they turned him into a legend who wrote taunting letters to the police making clear that he would never be found.”

His face is ashen, and everyone can see just how much he believes what he’s saying. If he doesn’t, it’s remarkable stagemanship.

“They took a series of murders and they turned him into a sensation the likes of which the world had never seen before. They took the deaths of women, the butcher of them, and they made them romantic. The swirl of fog, the glint of a knife, a streak of crimson and a gentleman in a top hat and cape sweeps away through the night, delighting in his crime.

“For the first time, or at least the first time successfully, the media created its bastard child, and they called it Jack the Ripper, and everybody believed it, and everybody continues to believe it and everybody continues to want to know about it and learn about it and find out more about it. Do you have any idea how many books have been written about Jack the Ripper? And do you have any idea how many of them sell? That’s when the media discovered that it had that much power to not just report, but to create. To establish narrative and to make people believe that narrative.

“We prefer the story. Every time. London gets less snow than just about anywhere in the UK, did you know that? And yet the images of every Christmas are of a suddenly Victorian London covered in crisp fresh snow, because when Charles Dickens was a child, there was a cold spell, and he forever associated it with Christmas.

“That’s what belief is. It’s what we prefer to reality.

“And London thrives on this. Of course it does. It’s a cramped series of villages, with people who spend significant parts of their day under the ground, dreaming. It’s punctuated with buildings that do their best to reach to the heavens, corporate totems slamming into the sky.

“And as everybody knows, the streets of London are paved with gold.”

There’s a mild chuckle at this, although it feels more like those that are doing so are doing so because it feels like it should be a joke rather than actually is one.

“The capital of a small island on the coast of a continent that established an empire larger than the people that built the city in the first place. London is not the most likely place for anything to happen.  It isn’t the biggest. It isn’t the one with the most history.

“But it’s the city with the most belief. The most untargeted belief, as well. How many cultures has this city consumed? How many beliefs has this city fostered and fed on?

“This entire situation that is happening now is centred around belief.

“The world is changing. We’re talking to each other more and finding out more about each other and we’re stopping being scared of each other and we’re finding out more about who each other actually are. We have information at the tips of our fingers at all times.

“And we can disprove things faster than ever before.”

He smiles, back on more familiar ground of reaching out to elements that more people are likely to understand straight off the bat.

“How many people here work in offices? How many people use facebook? How many of you have seen those bloody irritating emails that people send around when they’ve fallen for another urban myth? Or a warning from the police about something that sounds just plausible enough to be real.

“How many of you believe that if you put your PIN into an ATM backwards, you alert the police that you’re being mugged? How many of you believe that jews were warned not to go into work in New York on September the eleventh in two thousand and one? How many of you believe that the police decide the best way to dispel information about murderers, gangs and rapists is by chain email?

“How often do you see these status updates and chain emails and either bite your lip or send a link to snopes.com and point out that they’re disseminating misinformation?”

There’s a more genuine laugh now, and a number of hands raised. After the intensity and length of what he’s been talking about, it’s a nice tension breaker to involve them again.

“We believe, as creatures. It’s something we’re almost hardwired to do. And this belief is swirling around, latching onto anything and everything to try to find a way to live.

“Perhaps.

“This is the crux of all of this. This is what I think is happening.

“All of this belief is turning into creation.

“And we need to understand that. We need to understand the implications of that. Especially when a sword and a stone rises in the centre of historical monarchy and democracy. Especially when it happens and for whatever reason, the authorities try to deny it. The easiest way to make people curious about what’s going on is to tell them they shouldn’t be looking, and they’ve done that with one of the most well known landmarks in the world.”

He turns in my direction, and gestures. The lights rise in the theatre, or at least they do in the front section of it, allowing the audience to better see each other.

“And now, I want to introduce you all to the man in the centre of all of this. The man who understands what is going on better than any of us.”

I begin to panic, but I don’t even have time to do that properly. He points right at me.

“Darren. It’s time for you to meet the Knights of Reason.”